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"KULO" Exhibit at Cultural Center of the Philippines

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Seeing Christ in ‘Kulo, Gathering of UST Artists’

Written and photographed by Jude Thaddeus L. Bautista

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These are two separate paintings by Michelle Pauline Lim from left: “Place Where Ego Meets” Oil on canvas 36 in X 48 in and “Innocent Kiss” dried rose, resin acrylic and oil on canvas 36 X 36 in. Photo by Jude Bautista

(Happy Birthday Delicate Rose)

Last July 16, 2011 I was busy trying to watch and squeeze in as many Cinemalaya films as I can. I just finished with the gala for ‘Niño.’ ‘Patikul’ by Joel Lamangan was to follow next. An exhibit opening in Sigwada Gallery had to be given up with much consternation on my part. Then I saw the poster and gallery for “Kulo Gathering of UST Artists” also at the CCP, just a floor above where the gala screening held cocktails. Scanning through the names which were more than 30, I immediately noticed Michelle Pauline Lim whom I wrote about before. So I went in the exhibit and looked for her work. Another piece that caught my eye and ear was a music video installation by Jaime Paceña II. It was for Gloc 9’s “Sa Akin Lang Naman.

I only had enough time to shoot Michelle’s work and the 3 TV sets playing footages of ordinary people rapping before I had to run to the ‘Patikul’ gala. Weeks later my mother informed me about some offensive works of art desecrating the image of Christ at the CCP. Being in my own world of film and music reviews, I did not connect it to “Kulo-Gathering of UST Artists.” Honestly I could not believe it was the same exhibit that caused so much controversy even though I was not able to examine all of the works in it. Finally I saw a facebook note by CCP Visual Arts “Calling for sobriety”. The note reported that the exhibit had been attacked and vandalized and yes it was that same exhibit that had some ‘offensive’ art work.

First and foremost, whatever anyone thinks of the artworks therein any form of violence directed at the exhibit HAS TO BE condemned by ALL. As Christians, Catholics and followers of Christ the violent acts towards the exhibit cannot be justified. There are innumerable examples of the words of Christ himself: “Love thy enemies, Forgive 70 x 7 times…” IF you believe that the works are offensive there are legal means to stop it. You can also voice your opinion about it. There are many ways to express one’s indignation on the ‘offensive’ work of art that are legal and follows the teachings of Christ. Destroying property and causing harm on others is decidedly UNCHRISTIAN.

Second the call for the exhibit to be closed is completely unfounded and wrong. Malaya.com reported that Pro-Life president Eric Manalang called for the immediate closure of the exhibit. Out of a total of 32 artists’ works possibly 2 or 3 have been deemed ‘offensive.’ There are 29 other artists who have absolutely nothing to do with the 3 ‘offensive’ works. And yet Manalang has demanded that the whole exhibit be closed. It is a blanket accusation to ALL the works of art and artists involved.

The best way to propagate the Christian faith is to show that we truly have Christ in our lives, reflected in our actions. This is the perfect opportunity to show that God is about love and forgiveness. As Catholics we are moved by REAL examples. Pope John Paul II forgave his own assailant. In 1981 Four bullets nearly killed him, 2 in the intestine one on the left hand and the other on his right arm. After recovering Pope John Paul visited Mehmet Agca in jail to show the world a true gesture of love and forgiveness. Non Catholics were able to see what Christ is about through the very real act of forgiveness by Pope John Paul II.

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Music video installation by Jaime Paceña II. It was for Gloc 9’s “Sa Akin Lang Naman.” Photo composite by Jude Bautista

The two works that I was able to photograph that is part of “Kulo-Gathering of UST artists” make very important statements connected to the issue. Michelle Pauline Lim’s work entitled “Innocent Kiss” have the words on them “Love is a gift not an obligation.” Love truly is a gift from God. Christ would never oblige us to hate, not even an artwork that desecrates his own image. If the artists have offended our Christian faith let us show them that we have a faith that is able to show love and forgiveness. If we are violent towards the exhibit and the artists, our Christian faith is a sham filled with hollow words and hypocrisy. But if we show true love and forgiveness it is that art work which is made false and absurd.

The music video by Jay Paceña for Gloc 9 is for the song “Sa Akin Lang Naman” from the ‘Talumpati’ album. The installation had three separate TV sets arranged horizontally. Each screen has a head shot / close up of a face. Different people from all walks of life, gender, size and look are on screen rapping the song. Gloc 9 doesn’t even come on until half the song is nearly done. The intention of the artist / director is to give importance to the opinion of the common man. All of us have different thoughts and opinions, it is important in a free society that we not only respect but defend that freedom. In the song he says “Hindi tama ang mag bintang subukan nating magbilang, ilang taon nang dumaan bakit napag iiwanan? Di ko po kayo pinangungunahan o dinidiktahan, dahil ang sinasabi ko’y akin lang naman.”

Personally, I am more afraid of violent acts made in the name of Christianity than the desecration of an image of Christ. The Lord also said that his church is not the physical structure of worship. It is not the old churches that we see standing and lifeless. The church is alive; it is the people who believe and have faith in HIM, who live his gospel.

Last Updated ( Saturday, 08 October 2011 03:34 )
 
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my-art-my-self
Art is always personal. Always autobiographical. Whether you are the artist or the viewer, one often experiences deeper levels of connection and intimacy when confronted with an artwork. The moment occurs when you view the artwork and bring bring your own allusions to what is in front of you. The art of these five women artists resonates what each holds deeply personal. As you walk through the pages of Pam Yan-Santos, Marina Cruz-Garcia, Sandra Gfeller, Stephanie Lopez and Michelle Lim, you will see the artists' intention of capturing singular moments that evoke grand personal narratives.
Tina Fernandez
Last Updated ( Wednesday, 01 July 2009 16:40 )
 
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Michelle Pauline Lim's Art of Visual Introspection

(By Audrey N. Carpio)

Last Updated ( Wednesday, 01 July 2009 17:00 )
 

Manila Bulletin Lifestyle Section

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Michelle Pauline Lim: The essence of being human

By JUDE THADDEUS L. BAUTISTA
December 13, 2009, 12:54pm

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We reveal our true selves in solitude. The essence of people is in these private moments no one else ever sees. We need not put on the mask of politeness that we put on everyday in order to live in a society. That is why when you look at Michelle Pauline Lim’s works, they are often solitary figures in an introspective state.

Her works may seem to be deeply personal but have actually found universal appeal. By trying to unmask herself, she has found a common human theme. Michelle or ‘Mitchy’ for short, has exhibited her work in New York, Singapore, and Korea. And everywhere, in spite of cultural differences, the reaction has been the same. They have discovered the truth about themselves in her works.

She captures the unguarded moments when we are our true selves. Her subjects are solitary figures who are in deep thought. This is most apparent in her solo exhibition at the Forth Gallery in Singapore. Her panoramic vistas almost seem to swallow up a solitary figure in “Cry the Fears Dream Walker” and “Where the Rainbow Ends.”

Eyes are both piercing and revealing, while half of the face is covered in “Silently Stealing Away”. The theme is repeated but with the text “Fix Me” on a hanky covering the mouth in “Only Silence Was Spoken”. These two paintings show the most about the person in an ironic manner. She has a fascination for fleeting moments when we unmask ourselves.

One theater student in New York was so moved by her work that she started using expletives (the F- word). Although the female student was actually praising her work, Mitchy was taken aback by the use of the language. More than that, she appreciated the raw emotion the student expressed. “It gave me a sense of fulfillment because that was what I was trying to illicit from people, a real and strong reaction.” She explains that one of the reasons that she brought her work abroad was to find out if they could appreciate them in spite of the cultural differences.

Fernando Amorsolo was her own inspiration to become an artist. At age 12 she saw his “The Lady with a Banga” in Mabuhay magazine. Mitchy was so affected, she tried to copy it. By college she was encouraged to take Architecture, interior design, anything but painting. Being an artist was not seen as a solid career choice.

Out of obedience, she applied for an advertising major but still ended taking up Fine Arts at the University of Santo Tomas. She planned to shift after the first few semesters. But she truly found her calling, especially when she met her batch mates. Batch 2000 from the UST Fine Arts program produced the most recognizable names of young artists today. CJ Tañedo, Ivan Roxas, Linds Lee, Marga Rodriguez, Tara Quinto, and  Jojo Austria, to name a few. Mitch has an ongoing group exhibit titled “Boxed: The Dialogue of Females” with friend and batchmate Marga Rodriguez at the Blanc Compound, near Shaw Boulevard.

College was when she learned about the masters and those that would influence her work. Artists like Salvador Dali and William Waterhouse, who used Greek female mythology sense of beauty and proportion. Dave McKean of the “Sandman” comic series was influential in her use of texture. In “Hourglass” she shares “I’ve been dreaming of a true love’s kiss and a prince who will come with this.” The words are elevated as texture over an oil painting of a rose held behind the back. A real rose that was given to her and has special meaning was included on the surface, creating a dramatic three dimensional feel.

She has a palpable love for painting. She craves the tactile and olfactory sensation of oil. After graduation, she took some time away from painting to find out her career path. She found herself going to art supply shops just to smell the oil tubes. She missed everything about it. It was a calling that she couldn’t deny and knew that it was wrong not to pursue it.

As a student, she has been a finalist in nearly every competition she has joined from the Shell National Student Art Competition to the Philippine Long Distance Telephone (PLDT) Yellow Pages competition. And what it has taught her is humility. Eventually in 2002, she was given an award of excellence from the Manhattan Arts International in New York. And last year, she was at the top ten of the Artrom Gallery International On-Line Art Competition 2008 in Rome.

In the documentary the “Rape of Europa,” Mikhail Piotrovsky of the Hermitage Museum said: “Art belongs to humanity. Without this, we are animals. We just fight, we live, we eat. Art is…what makes us human.”  With Michelle Pauline’s work, she gives us an insight into her identity and our own humanity. For more information and details, check her official website: www.michellepaulinelim.com
Last Updated ( Saturday, 08 October 2011 03:32 )
 

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